I’ve nearly finished writing Grim Curio. 92,000 words written, and when it’s done it’ll be just shy of 100,000. That’s pretty damn close.
I’m a little sad to be at this point. Grim Curio has been a very rewarding book to write. I’ve expanded my skills and pushed myself as far as I can.
Even so, I’m ready finish. Writing Grim Curio has been exhausting. So while I’m sad to see the experience drawing to an end, I’m also relieved.
To celebrate this milestone, here’s three takeaways from my writing process.
I found my own voice
It seems to me that a writers voice is always evolving. But for the first time I feel the voice I’m writing in is my own.
While I enjoy the narration of Discovering Aberration and The Gin Thief, I think it’s fairly obvious that I was emulating the style of the Victorian Era (drawing heavily from Jules Verne).
With Grim Curio, it was just me.
I improved my pacing
Pacing is critical. Bad pacing can cripple an otherwise great novel. I’ve struggled with pacing before, especially with Discovering Aberration‘s drawn out introduction and drastic shift in tone.
But with Grim Curio I feel like I nailed it. Beta readers seemed to agree. Now I’ve got to carry that structure to future works.
While my other novels are straight forward adventures without too much subtext to dive into, I feel like I’ve added a depth to Grim Curio I’ve never written before.
Grim Curio can be read as a straightforward post apocalyptic story, but there are layers and layers here that I weaved into the narrative. Some of my beta readers picked up on these deeper themes, others were content to read it at a surface level.
The fact that both were possible and both sets of readers reported high levels of enjoyment tell me I did something right there. Go me. Gotta pat myself on the back sometimes. God knows I pile on the criticism enough.
Anyway, that’s all for now. Lot’s more coming in the weeks ahead. I’m getting back into my regular blogging schedule again now that things are calming down. Keep an eye out, and if you want to be notified of any future releases, sign up for my mailing list.
It’s been a while since I shared anything from Grim Curio. There have been some significant updates since the last scene I shared a couple of months back. My dad is about to head out on a three-week business trip for Boeing and before he left he asked if there was anything ready to read yet. So I figure now’s a good time to share something. This one’s for you dad, the first scene from Grim Curio.
This is the story of how the world ends. It’s not pretty or even necessary, but it happens and so it will be told. It begins and ends with James, who walks along the narrow empty streets of Refuge, the last city on earth. He breaths through a filter on his mask, the sound rushing in his ears, mingling with his footfalls against the disintegrated road. Black lenses block out his eyes. On either side of him are patchworks of rusted steel walls welded together with thick seams like veins. On some walls, groaning air filtration systems struggle and cough. On others, the systems aren’t more than dead metal boxes, tombstones.
James marches a fixed path toward Grievances with a few ill earned dollars in his pocket. He never set out to con anyone, not originally. But things happen and a guy’s gotta make a buck. Guilt isn’t an emotion he feels anymore, or so he lies to himself, hurrying his pace.
At night, streets are usually empty, so when he passes three figures — each masked, carrying heavy duffel bags — he passes on the far side of the street. The black, emotionless masks follow him as he passes. Before rounding a corner he pauses, looks over his shoulder. They stare intently. What mischief are they up to? Doesn’t matter. Not tonight. Tonight he has only one goal, to drink and forget for a little while. He continues on.
He arrives. A hand drawn sign next to the entrance chamber reads “Grievances”. The last few letters are squished together as the artist ran out of space. Below a smudged charcoal sketch of a masked stability officer pointing a sting box at the viewer has been ineffectively erased.
James knocks against the thick steel door. It clicks. He spins the hatch, pulls it open, and enters. Air is sucked out in a rush and his ears pop. A fine mist coats his clothing for a second, then the next door clicks open. Entering anywhere is always uncomfortable.
The room is dim, the air thick with fungal smoke rising off steel pipes. Sweet sounds of the beautiful Astira Lockhart’s crooning makes James smile. He removes his mask, takes in a deep breath and sighs. Graying stubble, wrinkles around his eyes. He’s not old, but he looks it. Sometimes he feels it. He takes an empty seat, places a couple bucks on the table, and watches Astira sing.
James nods. A cup of frothy brown wine is set before him. He drinks, savoring the mossy flavor. He listens and time melts. The mild hallucinations make his brown and gray surroundings shimmer at the corners of his eyes.
Mal takes a seat next to him. Light brown-red hair and skin off-white with freckles, and a hawkish nose. She’s cute if you don’t know better. But James knows her, so he tenses and ignores her. She looks at him, savors the discomfort for a second. “Haven’t seen you in a while, James,” she says in a matter of fact way. James nods. “Things must be good for you lately.”
“Yup,” he says humorlessly.
“I bet. Guy with your credibility, you’ll be doing well for yourself by now. Business treating you well?”
James lets the question hang, tries to focus on the way Astira swivels her hips and winks from time to time as she sings, but Mal lingers like a cancer so he turns to her and says, “Is there something you want?”
She smiles, leans back and puffs on her pipe. The smoke is thick, rising to mingle with the rest of the haze. “Solve any doozies lately?” Mal holds a straight face for a few seconds before she snorts. “I have a hot tip for you. I hear North Commune has ghosts. How much do you charge to take care of ghosts?”
“More than you can afford.”
“Ha, I bet.”
“Look, you need something or are you just here to be a nuisance?”
“Yes actually,” she replies. “You owe money to Silke Thomas.”
“So. What’s that got to do with you?”
“A lot actually. Hired me last week to settle his debts. Your name’s on his list. You might be a small fry compared to some of the communes, but you know me. Thorough. Lucky for you I’m off duty. I’ll give you another day before I collect.”
“If you buy me a drink.”
James laughs, looks at her sideways. “I’ve got two bucks and change.”
“Put it on the table, I’ll cover the rest.”
James shakes his head, unsure if she’s extorting him or coming on to him. Either way, he’s not in the mood for a fight. He puts the money up, she tosses a couple more dollars down. Wine comes and she raises the glass. Mal talks occasionally, and James answers when prompted, but the conversation is stilted. He can’t remove that barrier he’s built up over the years, that distrust. Eventually she quits and they both just listen to the music with tension between them.
She leaves and James grows agitated. Did he want her to stay? Not really, but he didn’t want her to go either. He downs the last of his wine, then rises, puts on his mask, and exits in a bad mood. Outside, the wind blows, the gusts cut through his jacket. He curses his rotten luck as he walks back in the direction of home. His eyes adjust to the night and soon he see’s them again, three masked figures with duffle bags hovering around the walls of Grievances. They pause, watch him, and this time a shiver runs up his spine. He ignores it, continues on till they’re out of sight.
Then it hits. From a quarter-mile away, James hears the boom! He spins around in time to see the glow, a plumb of smoke. Eyes wide behind his mask, he stumbles, breath caught in his throat. He rushes back to Grievances, see’s the twisted metal, the still standing hatch, rubble strewn about his feet. It’s eerily quiet, only the sound of flames.
He looks for anyone. Beyond the flames, a glint catches his eye, and there they are slinking away. He’s alone with the wreckage, the too afraid to see the bodies inside but he steps forward anyway. He stops short when he realizes what will happen if he’s found here by the officers. Stability must be preserved, the city survives on a knifes edge, and he’ll feel the edge of that knife if he’s implicated with this. He turns and hurries back towards home.
Writing a novel is a massive undertaking. Even a short one will consume hundreds, if not thousands of hours of your life. So it’s no surprise that so many people look for effective novel-writing strategies. What follows is the first post in my series on novel-writing. Through this series we’ll explore my current novel-writing process from conception to wherever the future takes us.
Writers write because they are inspired, don’t they? In film, writers struggle for that perfect idea, for that flash of inspiration. They struggle over a blank page, cursed with genius yet a lack of inspiration for they’re next novel. If we take movies at their word, no writer would ever write until they discovered the perfect, world shattering idea.
Lucky for us, writing doesn’t actually work that way. Good ideas are important, but they aren’t the crux that every novel depends on. Moreover, while inspiration may simply strike some people, most of us have to fashion habits that will coax ideas out of the back of our minds on a regular basis.
So how important is the inspiration behind your next (or first) novel? How do you create habits that ensure ideas come freely and with relative ease? Read on to dispel some common myths, learn a bit about the nature of inspiration, and build the habits that nurture ideas, generating them on a near daily basis.
The Prefect Concept
Do I need the perfect idea before I start writing?
You’re about to devote months, perhaps years to writing your masterpiece but it all starts with an idea. One bud of a thought can fuel countless hours of your life as you tackle the thankless task of sitting in a room, alone, writing. So you should wait to begin until you have the best idea ever, right?
No. In my experience, aspiring writers place too much importance on the idea behind their story. They seem to believe that if they think and think and think, they’ll come up with the perfect concept, and a book will eventually form. They will often say, “I’ve been working on a story for years.” But when it comes down to it, no words have been written.
What’s the issue with placing too much emphasis on the idea?
Some people will build their ideas for years. They may even change from one concept to another, developing ideas so thoroughly that they may as well have written their novel to completion. People I know and love have developed tons of ideas but have nothing to show for it. What they don’t realize is that an idea is only a fraction of the work involved when writing.
In reality there’s no need to labor over an idea until it’s perfect. Ideas are a dime a dozen. Everyone has them. Even a really solid idea is worthless without the right amount of ass in chair time.
Let’s consider Tim. Tim spent years developing his idea, and it’s damn near perfect. If you could see the visions inside his head, you’d be brought to tears for it brilliance. When Tim finally sat down to write, an awful thing happened. The words didn’t sound right. They felt amateurish and sloppy.
The trouble is, Tim knows what good writing is. He’s read it over and over again. But Tim never practiced the actual craft of writing. He’s read great novels, read amazing books on story structure and character arcs. He knows when writing is good or bad, but he hasn’t spent enough time practicing the craft, so his perfect idea in theory is now a mess in execution.
Had Tim settled on a half-formed idea, wrote it out, and admitted it was bad, he would have had hundreds of hours of experience writing. Maybe his first effort will never get published, but by the time he gets to his second or third novel, his writing will be leaps and bounds better, the ideas will come easier, and his ability to communicate through text will mature.
In other words, don’t put too much emphasis on the idea of your book, especially your first book. Find something that interests you and start writing. The more you do this, the easier the entire process will become.
Fostering Habits to Encourage Constant Inspiration
Now that I’ve spent roughly 1000 words downplaying the spark that incites your novel, I’m going to admit that ideas are kind of important after all. Before you sit down to a blank screen and flashing cursor, you’ll want to start somewhere. So where does the inspiration come from?
Idea’s can come from anywhere, you just need to condition yourself to generate them. I’m a firm believer that anyone can be a good writer, talent be damned. Sure, in every walk of life there are some people who are inherently talented, but there are far more people who simply worked really hard to get what they want. Everything about the writing process will come easier if you put the hours in. That includes finding inspiration.
The three B’s
I once had a professor tell me that inspiration comes from the three B’s: bathroom, bedroom, and bus. What he meant was, there are certain points of the day where you’re doing nothing, and it’s these moments where you’ll find yourself inspired. It doesn’t happen all the time, but when it does, it’s likely while you’re commuting, falling asleep, or doing your bathroom business.
But if you’re a writer, you probably need more than that. You’ll want to create habits that insure you have constant moments to think, explore ideas, and hopefully be inspired.
Make time for contemplation
All of my best ideas come in times of quiet contemplation, which for most people doesn’t just happen. You need to create the times to think, which can unfortunately be quickly overrun by the busy world, much like a gym membership. This in turn forces you to be ever vigilant in protecting you thinking time, deliberately setting aside regular time for it.
Most people only reserve this kind of thinking time for the three B’s — and bathroom has now become the place of the smartphone so maybe the B’s are down to two. To be in a state of constant inspiration, or to at least aspire to that state, you need to consciously develop a habit of turning off distractions (including other people) and just think.
For me, habits are easiest to maintain when they easily fit into my schedule. Let’s be honest here, creating new habits is hard, especially with my busy schedule filled with family, work, writing, reading, Muay Thai, video games, Harmonquest, Rick and Morty, and anime. You likely have things you’re passionate about too, so tailor your novel meditation schedule to work best with everything else you’ve got going on.
Driving – At least a few days per week I spend my 40 minute commute to work listening to this playlist and just thinking. No audiobooks, no podcasts, no damn commercials. Just me and my thoughts for 40 minutes straight. It’s amazing how much will come out of these driving sessions once you make a habit of it.
If you have the privilege of a long commute, this is a viable option for you. It’s time you wont get back anyway, might as well invest is as a thinker rather than a passive talk radio listener. But if you don’t commute, find time where you’re doing constant, mindless things, and inject your mind into the equation. Walking, running, shopping, and for some people maybe while working.
Bed – About twice per week I’ll go to bed an hour early. I know that I can rarely actually fall asleep before 10:30pm, so I go to bed with the goal of mulling over current project. Since I’m already in the middle of writing Grim Curio (sign up for my newsletter so you don’t miss it’s release) I’ll spend that time thinking on character motivations and arcs, plot points, and themes.
When one of the ideas feel particularly good, I’ll find a way of putting it to paper. Later I’ll work it into my book summary so when I get to the applicable point in the novel, I’ll remember exactly what I was thinking.
I feel like this is an easy option for most people. Do what you have to so you’re in a thinking mindset, lay down, close your eyes, and just think.
Writing – To be honest, a lot of great ideas and sparks of inspiration come in the moment during the writing process. Sometimes it relates to the current scene, but just as often what I’m writing will spark an idea for a future scene. These ideas can disappear quickly, so make a note of it right away.
These ideas tend to be on the details and continuity level for me, so their different from what I think of in the previous strategies. Because of this, I would not rely on this time to be your only time to think on your book. At the same time, don’t underestimate the value of simply writing, even if you have no direction at all. Ideas will come to you as you work through all the threads in your mind. So, even when nothing else is working, sit down and write.
With their powers combined
Don’t rely on just one of these times to contemplate your novel. Try a combination or come up with a few of your own. Best results come when taken together.
The personal risks of living in constant pursuit of inspiration
I’m not normal. You probably figured this out already. I’m pretty aloof, I forget a lot of important things, and I have a hard time maintaining relationships with many people outside my family — even inside my family if I’m being honest. For a normal person, this might sound lonely, but for me, it’s what I crave.
This personality flaw, as some might call it, is likely a result of my own pursuit crafting the perfect piece of fiction. I spend so much time thinking about my writing — and other creative projects — that when it comes time for the real world, often I’m a step behind.
For me, that’s ok. I enjoy being alone and spending time simply thinking on things. This is where my inspiration comes from. So be warned, transitioning into a life in constant pursuit of inspiration may come at a cost. Or you might already be an outcast, nerd, or other form of standoffish enthusiast. My people!
Don’t put too much pressure on your ideas
The idea generating phase never ends, so try not to stress about it. The more you allow yourself to think on things, the easier it becomes. Remember, it takes years to become good at anything. Don’t expect the first manuscript you write to be your masterpiece. You could be one of the lucky one’s who writes a classic on their first go, and to you I say fuck off.
It takes most people years to become great at manipulating a thousand ideas into a novel, so just make time for thinking and writing and let everything else go. There’s too much stress in the world already. Don’t make the creative process into a stressful one. Enjoy the struggle, take pride in your mistakes, at least you’re creating something out of nothing! Later on, those early mistakes will be obvious and you’ll find all new weaknesses to strengthen. So it goes.
When your expectations are too high, nothing feels good enough. Accept that not all of your ideas will be perfect. Some may feel average at best but will create a compelling story in execution. Others may feel great and in execution you’ll realize that they weren’t all you thought they were. It’s all ok. Pivot. Come up with new ideas. Think and think on it, massage it, and eventually something good will come.
Recognize that the initial idea will likely get left in the dust
When I wrote Discovering Aberration, my initial idea was inspired by a dream of a mysterious island with some hidden technology submerged under a lake protected by a dragon. The island and the ancient technology made it to the final draft. All the rest got written out. In the end I wrote a story involving gang wars, evil archeologists, a lost civilization, and characters driven to madness. Idea’s change, and that’s ok. Let them take on their own life, coax them along, adjusting when you need to.
Ideas and inspiration don’t strike anyone not actively looking for it. The right mindset, discipline, and practice will cause ideas to flow. If you aspire to being a great writer, then the best advice I can give you is to write and never stop. I hope you found this first post in my novel-writing series useful. If you did, I would very much appreciate it if you would be kind enough to share. I’ll see you next time.
“And doing what we do, it makes us big. Just like you said, alone you can’t do anything. Nobody listens, nobody cares, everyone is dying and everyone knows it. I’ve seen people dying everywhere in slow and ugly ways. Nothing I can do about it. What I do now makes a difference. Makes a big difference. People all over are scared of me. They don’t know it’s me they’re scared of, but they’re all frightened of my shadow, of my influence, of the threat that my existence brings. Not just the surface dwellers, not just the undercity, all of ‘em. You, the girls, everyone. And if you don’t think so, it’s because I haven’t had a reason to show you yet.”
Above is a snippet from a recent scene written in Grim Curio. It’s been a while since I shared a properupdate, so let’s dive in.
Threads are Coming Together
Grim Curio has a decently complex narrative. There are three separate threads that affect each other both directly and indirectly as the story progresses, eventually all merging into a single thread. At times it gets difficult to write in a way that everything makes logical sense and is fun to read, so the further I get, the slower progress is coming. Right not I’m in the thick of it as all three narratives are coming together, but once that’s complete I expect my progress to pick up again.
I’ve also shared the first four chapters on /r/DestructiveReaders, a subreddit I frequent in order to improve my writing and get feedback from readers while the book is still in progress. Feedback has been great!
Three or four months ago I shared these same chapters in an earlier form, and the critiques prompted me to overhaul the style (you can read about the decision to rewrite everything I’d written here). I’m glad I did because readers are responding much more favorably to GC now, with feedback focusing on specific elements rather than the broad strokes.
Some readers have approached me with a desire to become part of my writing process. There are actually lots of ways to do this, so I thought I’d share them with you.
Become an alpha reader
You may have heard of beta readers, but with my GC I’ve been taking it one step further with alpha readers. While beta reading is a structured process with a predefined set of readers giving regular feedback, alpha reading more free form. You can learn the differences here.
I share chapters on /r/DestructiveReaders, and you read and either leave comments in the Google Doc, and/or write a short summary of your thoughts. If you want to be notified whenever a new chapter is released, go to the contact page and send me a message. I’ll email you whenever a I share a new chapter.
Behind the scenes of favorite books can be a complicated place, especially when you’re talking about editors. There are so many stages of editing, so many kinds of editors as well as generous readers who give up their time to offer their opinion on works in progress. So if you’re among the many readers who doesn’t know the difference between a Developmental Editor, Proofreader and Beta Reader, this post is for you.
We’re going to break down editors into three categories, Editors, Beta Readers, and Alpha Readers. Editors are your professional brand of book doctors who get paid the big bucks to gut manuscripts before their published. They come in many varieties, and we’ll address the nuances below. Then there’s Beta Readers who are more or less hobby editors who volunteer their time to read manuscripts before they reach Editors and offer their advice. Finally, there are Alpha Readers who come early in the process often in the form of critique groups, writing workshops, etc.
For a more detailed overview on these publishing heroes, read on.
Editors are professional readers, critiquer’s and proofreader’s. They are paid to offer their expert advice to an author in order to make the authors work more marketable (also better).
There are many kinds of editors including: acquisition editors, copy editors, line editors, content editors, and more. Rather than rewriting what’s already been written hundreds of times online, I’ve founds another source to do that work for me. Below is a quote from a blog post from The Helpful Writer. They do a great job of calling out the differences without diving too deep. You can read their complete, original post here.
Most of you already know, or at least heard of, the AE. Generally, they are the ones picking up the books for a publisher, and the go-to for the author while prepping a book for publication.
Used by big publishing houses, and often ghost writers. You can find a few freelancing DEs. They are best with non-fiction writing, but can be hired by fiction writers. Their primary function is to ensure a book moves in a forward motion, watching plot and characterization. Think writing coach.
The very big publishing houses have Content Editors, the one overlooking all the plot, characterization, voice, and setting.
The copy editor specializes in grammar, punctualization, fact-checking, spelling, and formatting. The Copy Editor is used most often in journalism publications, but utilized by some smaller publishers.
Also known as a Copy/Content Editor, often employed by the small – medium publishers, and self-published authors. They do it all – grammar, fact-checking, spelling, formatting, plot, sentences, characterization, setting, punctualization, and voice. They go through every inch of an MS, word by word, line by line.
Many get a proofreader and an editor confused. A proofreader is the one who goes over your MS after an editor. They look for the glaring mistakes missed, generally in punctuation, spelling, and formatting. They look for the glaring mistakes that may have been missed during edits.
Hey guys, I’m back! Let’s talk about beta readers. Beta readers are the salt of the earth readers who want to be a part of the process. And they’re awesome. They volunteer their time to read early access, unkempt, unpublished manuscripts. They then share their thoughts with the author in the form of notes and/or interviews. If all goes well, a better book is birthed kicking and screaming into this cruel world.
The beta reading process for me is a structured, chapter by chapter read through. My beta readers are given chapter deadlines and are asked to answer a series of questions to send back to me. Occasionally we may have one on one conversations where they share their deepest, darkest secrets… ahem, thoughts on my novel. It’s the semi casual version of Editing!
Want to become a Beta Reader? Send me a message through my contact form, and let me know. I’ll add ask you a few questions and potentially add you to the list.
To boil it down, Alpha Readers are to Beta Readers what Beta Readers are to Editors. Hows that for a flashback to the SAT’s? To clarify: Editors are a professional grade arsenal of long-range weapons. They get paid to read at a professional level. Beta readers are avid readers willing to share their thoughts. They’re your infantry.
Alpha readers, on the other hand, have access to some or all of the early versions of chapters, they may read it in order or random bits and pieces, and they are not beholden to schedules or deadlines. They come earlier in the process than Beta Readers, often before much of the book is even written. They are your spies.
For me, Alpha Readers help determine aspects of the novel while I am writing it. They share input during the drafting process.You can include in this group writing partners or workshops. Lately I’ve been using /r/DestructiveReaders for my alpha reading process (learn about how I used this community to improve my writing skills). Some readers there are professional writers, other amateurs, still others just readers wanting to share their input.
If you want to be notified when chapters are available for alpha reading, reach out to me through my contact form and let me know. I’ll email you whenever a new chapter is available to alpha read.
So there you have it. In short, all forms of editors are great but each serves a very different purpose. If you’re a reader who wants to get involved, find what works best for you and offer your services to an up and coming writers. I’m sure they’ll be thrilled. If you’re an up and coming writer, keep an eye out for these kinds of readers and learn how to utilize them. It’ll be highly worth your time.
I’ve been building a killer writing playlist on Spotify for a year. I somehow created a 19 hour behemoth of music I can reliably count on whenever I need to get into the writing mood. Shuffle play, and instantly I get pulled into a more contemplative piece of mind.
It’s a mix of chill out, down tempo electronic, psychedelic post-rock, and movie and video game soundtracks. Almost all of the songs have a steady but relaxing beet and trance inducing rhythms. Few have any singing, and those that do feature the kind of vocals that blend with the music rather than drive it.
Below is the playlist. I called it Creativity Juice – A Writers Playlist. Look down further for a sample of some of the artists included. And if that doesn’t float your boat, scroll way down past that where I share some of my playlist creation wizardry tips. So good.
Listen to The Playlist
The artists include:
Want to give this playlist a test drive? Check out some of the artists.
The Album Leaf
Couching Tiger Hidden Dragon
And Many, Many More.
What if you hate my taste in writing music?
Make it yourself! Below are some thing’s I’ve learned building a the perfect writing playlist for me. Feel free to give it a shot and before you know it, you’re going to be rocking your own masterpiece.
Add Songs Liberally
I like to add liberally. I start by picking an artist I like, listen to an album or two and add a song to the playlist every time I’m compelled to. Usually my criteria is to answer “will I ever like to hear this again while writing?” with maybe or greater. This builds your playlist quick, especially in the beginning.
Remove Songs Liberally
Once you’re listening to your playlist, you’ll quickly find that some of the songs that you thought would work just don’t strike the tone you want. Cut it as soon as you notice. Nothing is worse than listening to a playlist and skipping every other track. If you ever feel like skipping, just remove it instead. If you want, you can add it to another track later.
Utilize Recommended Artists
Once you’ve had your fill of any one artist, jump on a few of the related artists. I’ll generally give an artist I’ve never heard before a three song test. If I only skip one out of three songs in a row (adding songs I liked along the way), I’ll pick an album and listen to it from the beginning, otherwise I go back and pick again. Don’t just listen to their most popular tracks. Instead, pick an album and start from the beginning, adding songs you like as you go.
Listen While Your Not Writing
When you’re writing, the last thing you want to do is stop writing to manage a playlist. If a song comes on that you want to skip, if you’re like me you’ll just suffer through it unless it’s really grating. Instead, listen to your writing playlist when you’re not writing and remove the songs that aren’t working.
That’s all I’ve got. It’s not rocket science, but it’s a method that works for me. So what do you think of the playlist? If you listen to it during a drafting session, let me know how it went in the comments. If you’ve created your own writing playlist, feel free to share a link.
You can’t get far in life without a plan. Well, maybe you can, but I’ve never had much luck without it. When I try to pants my life, things tend to get missed along the way. Over the past five years, I’ve become more of a planner, plotting out points I want to hit in order to reach my goals.
After a few months of thought, I’ve created a series of goals for both the writing and publishing side of things and now I want to share these plans with you. The idea is: 1) as a reader of mine, you can have a clear view of what to look forward to in the future (yay!), 2) if you’re an emerging writer, you might be able to draw a bit of inspiration from my goals and learn from my mistakes to inform your own career.
The following all center around projects I plan to begin and finish within the next two years. Let’s dive in.
1. Output – Write a book per year
First a soft goal. Many writers I follow have mentioned this magic number for building a career out of publishing, both trad and indie (read traditional publishing and self publishing). Most recently, Brandon Sanderson mentioned this goal in his Fantasy/Sci-fi college course which I highly recommend both for readers and writers.
This is a goal I think I can hit, as my writing output has increased dramatically since the first stage of my writing career. This might not be readily apparent to you, my reader, but give it a year and you’ll start to see the fruits of my labors as the books start hitting shelves with a regular cadence.
2. Complete Grim Curio by November
I plan on finishing a complete draft of Grim Curio soon. I wrote 35,000 words in 4 months, and that included a massive rewrite that halted progress for a full month and a half. Given my current output, I think November is a tight but realistic goal to hit, and I’ll keep you posted on this as we get closer.
Once the draft is done, I’ll do a full revision to make sure it’s as good as it can be on my own, and then I’ll send it out to beta readers (which will hopefully include you 😍). While Grim Curio is being shredded to pieces by you lot, I’ll start looking for the right literary agent while drafting my next project. Which leads us too…
3. Write The Gin Thief: Episode 2 by February 2018
The Gin Thiefwas the follow up to Discovering Aberration an episodic series of novellas I pitched via Kickstarter a couple years ago. It got funded to the tune of $500. Shortly after I published the first episode. A few weeks later stuff happened in my life, and as a result I stopped writing for two years.
The Gin Thief was the main casualty of this upheaval… apart from losing my entire marketing funnel and all the good will I’d built up with my reader base. Sorry about that. I’m working hard on fixing it as best I can.
For a long time, The Gin Thief has had this emotional brick attached to it that really weighed down my efforts to pick it up again, but I’ve finally worked past that. Now I’m ready to jump back in. I’ll write Episode 2 by end of February, and hopefully publish before summer of the same year.
From there, I plan on immediately finishing the series and publishing episodes regularly.
4. Write Discovering Aberration 2 by mid 2019
This goal is a year or two in the future, and things might change by then. Maybe Grim Curio takes off, and I have a larger Science Fiction fan base than a Steampunk one. In that case I’ll likely jump on another sci-fi work before revisiting DA2. So, while this goal may pivot at some point, the current plan is to follow up TGT with DA2.
After this, we’ll have to see. I have another story I’ve been thinking about writing which I think is technically categorized as Dream Punk (so many punk genres), but 2019 is a ways off, so other ideas might surface.
Publishing Career Goals
This section is for all the things I need to do that relate to my writing career, but aren’t directly writing novels. Mostly it involves communicating with my readers, and building an active reader base to launch future books to. In the end, you guys are what make what I enjoy doing possible.
1. Write a formal letter of apology to The Gin Thief kick started backers
Wow, it’s hard to publicly mess up and recover. Nobody has been after me about TGT stalling, no one is breaking down the door or anything, but I still feel terrible about the debacle. When I set out to launch TGT kickstarter campaign, I didn’t foresee the upheaval my life was about to go through, nor did I imagine that anything would stop me from writing.
Anyway, I’ve put this off long enough. It’s time to repair the damage. My next step before I do anything else is to write a letter of apology, update my backers on my plan, and then deliver. TGT will be completed, and I think I’ll be able to write a better series now than I could have before. Fingers crossed my backers take it well.
2. Rebuild my marketing funnel before Summer 2017
I used to be really good about building my mailing list which in turn did a great job of spreading the word of new releases and book promotional events. I had specific methods for readers to sign up for my mailing list from by website, blog, social networks, live events and book back matter. This was my funnel, and in the past couple years it’s fallen apart.
So it’s time to rebuild. In the coming months I’m going to:
Rebuild the website so its more than just a blog. On it I’ll include easy to discover links to my mailing list and a page dedicated to my books. It’ll look great, and be focused.
Update the back matter in all of my currently published ebooks.
Refocus my social media efforts to connect with readers and direct them to my site or mailing list.
Basically I’m going to take my online presences and revamp it one thing at a time.
2. Get back into the convention game
Back when I was at my most active, I would rent booths at three or four conventions a year, meet people, sell books, and build my mailing list. It was awesome, and I’d gotten pretty good at it. My goal is to get back into conventions in the Pacific NW (USA and maybe Canada) Summer of 2017.
Summer 2017 will be when I really start focusing on spreading the word, and a lot of that work will be around conventions. I need to have The Gin Thief: Episode 2 published before I do another convention for a few reasons:
I won’t do another convention with just one novel to sell. I’ve done plenty of those, and they went fine, but for my next conventions I want at least three novels, plus some swag.
I don’t feel right about pushing TGT1 until TGT2 is finally released. It’s been too long between episodes, and I don’t want people to feel swindled.
Finally, more books to sell just equals better convention for lots of reasons. If someone doesn’t like the sound of one book, I can pitch the other. Also, there’s the chance that someone buy’s all three. When they do that, it’s easier to break even on the costs of renting a booth, getting a hotel, and traveling. Breaking even (and spreading the word) is my goal, making a profit is just icing.
3. Explore Traditional Publishing
I’ve done the indie thing a few times now, and I’m pleased with what I’ve done. I still plan to continue indie publishing TGT and possibly DA2. But I also want to see what the grass is like on the other side of the fence. That’s why I’m not planning on publishing Grim Curio myself.
There’s a few reasons for this. The idea of being a hybrid suites me. I’ll enjoy having other people take on some of the work, and I’d like to see my books have the opportunity to be more widely distributed. I also think that once this happens, my indie books and my traditional ones will build on each other, possibly cross pollinating two different groups of readers. Lots of eggs in lots of baskets feels like the way to go for me.
So that’s my plan in a nutshell. Stick with me through this crazy publishing journey and you’ll see all these things come to fruition. I’ve got a lot of work ahead of me, but that’s ok. In the end, I’ll have more books published, more readers reading them, and more fun as I streamline my approach. I hope you stick around for the long term. If you see me falter, feel free to point it out either here on my blog, or on any of my social networks.
Themes are the underlying identity of a piece of fiction. In fairy tales, the prevailing theme is usually summed up in the final paragraph of the story. But in most fiction the theme is more of an underlying current, directing the reader to focus their attention of certain details.
Ambitious works may use their themes to try and persuade the reader to accept new ideas while others may seek to hide their themes in subtext.
I never set out to write with a message in mind. I have a story to tell, and a way I want to tell it, and themes arise naturally through the process. When these themes show their ugly head, I’m often caught off guard by where my themes land. But once I discover a theme, then I’ll hone it without judgement.
Discovering the Themes
There are a few themes surfacing in Grim Curio, and today I’m going to talk about one. Namely nihilism, the absurd, and the sacred is dead. Believe me, the prevalence of these themes kind of took me by surprise, as these are not topics I tend to dwell on, nor are the necessarily deep held beliefs of mine.
You might suspect that I’ve read lots of Friedrich Nietzsche (the dude who claimed God was dead), but in reality I haven’t. I’m aware of his philosophies enough to hold a conversation about them, but that’s it. Honestly, I don’t care about philosophy enough to study any viewpoint, I tend to fall in the ‘it’s a waist of time’ camp. BUT, when I write philosophy has a way of sneaking in, and all of a sudden I’m a part of the conversation. I’m going to touch on a couple of those themes. Let’s get started.
Nihilism, The Absurd, The Sacred is Dead
In a recently written scene, James (the protagonist) sneaks into a villagers house. A professor who’s been studying these villagers for years tells him not to enter the rear rooms, they are sacred to the villagers. To this James remarks, “All that’s sacred died centuries ago. All this (referring to the rooms and the hedonistic village ceremonies) is simply absurd.”
Grim Curio takes place during humanities last days on earth, and what remains is a constant struggle to maintain order despite the meaninglessness of simply surviving. There are varying degrees of this nihilism, from James’ simple uncaring to Nat’s (antagonist) outright disregard for human life.
Since The Calamity, a series of cataclysmic events (water, fire, radiation), religion as we know it has died. What remains are the beliefs in order, in a return to nature, in the progression of science, and in giving in to the end of the world and just dying already.
In order to maintain stability and allow the human race to survive a little longer, those who cling to the new warped version of nature live in ‘the fringes’, the edge of livable space, and their bodies have evolved to deal with their new environment. And those who strive for scientific progress believe that technology will eventually save humanity, despite the fact that it was technology that led to humanities destruction in the first place.
So what we’re left with is the absurd world of Grim Curio where everyone is right, everyone is wrong, and no one can see the other side’s point of view. Hey, kind of sounds like the 21st century to me. And then there are the hardline opposites, the nihilists, who delight in the end of the world and the eventual removal of humanity from the earth.
So that’s it for today. There are of course other themes that are showing themselves: man vs. nature, order vs. chaos, but they aren’t nearly as interesting to talk about as the ones above. If you enjoy these peeks behind the scenes of Grim Curio, I would love to see you share them. This blog is only a few months old, and readership is growing slowly but steadily. If we could give it a shot in the arm, that would be super duper. But if you hate these posts (and why are you still reading? weirdo) then don’t share, and go sit on a tack or something.
When writing any work, it’s a good idea to establish goals. Some authors may focus their efforts on exploring the entire life of a character in a compelling way (Patrick Rothfuss and Name of the Wind). Another may focus on terse, expressive sentences and a relationship between father and son (Cormac McCarthy and The Road). Another may focus on exploring an interesting city and all the varied inhabitants therein (John Berendt and Midnight in the Garden of Good and Evil).
Of course I can only guess if those goals were established by their authors. I haven’t talked to them about this or anything, but Pat, if you want some free coffee or beer, hit me up and I will gladly buy 😉. Either way, it’s a safe bet that these authors followed guidelines set up by themselves at some point during the creative process.
What are my goals while writing Grim Curio?
I’ve been considering my goals for Grim Curio for quite some time, and I have a pretty solid idea of what I want out of the book, at least in this stage of the process. Things may change, and that’s ok, but for now these are the driving So let’s dive in.
A post apocalyptic world is a barren, caustic place, so the sentences should match.
My writing style morphs a bit from work to work. While writing Discovering Aberration my goal was to write as though I were a steampunk Jules Verne and Robert Louis Stevenson love-child. I wonder what those two would think of that sentence. I believe form should match content. A post apocalyptic world is a barren, caustic place, so the sentences should match. This doesn’t mean writing as many three word sentences as possible, but I do like the occasional one or two word fragments for emphasis. The trick is not overdoing it.
The final thing I enjoy about minimalism is the rhythm. By the time I get to a third or forth rewrite, the rhythm and flow gets really established. It’s fun to establish a series of short and medium length sentences, then subvert that with a long, flowing thing that builds the scenes and expands the action. Then short again.
Like many disenchanted teenagers, Nat deals with harsh reality by destroying things.
One thing I loved about the novel The Final Empireby Brandon Sanderson was the eventual relatability of the villain. There’s something special about a story where even the bad dudes give you the feels. I want that in Grim Curio, but in my own way. There are a few antagonists in Grim Curio, but one of the major ones, who is introduced in the second chapter, is Nat. She is a sixteen year old girl who’s still figuring out the world she lives in. Like many disenchanted teenagers, Nat deals with harsh reality by destroying things. It starts small, smashing windows, but what happens when she’s adopted by an extremist group?
If I do my job right, you’ll love her and hate her. You’ll want to give her a hug, or wish someone would shoot her. The same goes for my other, secondary antagonists, but in different ways. Each should be understandable, relatable, even when they’re doing something terrible.
Strange but familiar
All of the fantasy elements are grounded in an in-world science.
I’m a huge fan of weird fiction, like Perdido Street Stationby China Mieville. I love the effect of making the strange feel familiar. Now I’m not attempting to dive as deep into the strange rabbit hole as Mieville. Rather I’m drawing heavy inspiration from how fantasy is portrayed in the anime (and manga I suppose, though I’ve not read it) MushiShi.
So how is fantasy incorporated into MushiShi? Very naturally. All of the fantasy elements are grounded in an in-world science. The Mushi themselves feel like an extension of our own reality, like slightly more fantastic bacteria, strange sentient swamps, or parasites that grant supernatural hearing that drives people to madness.
If you’ve read any of my snippets, you’ve probably seen similar things. Namely the disease in Clayton that afflicts children, causing them to scream in the sunlight, slowly eating away at their consciousness. I want these fantasy elements to feel like an extension of reality, strange but familiar.
Great things from small beginnings
James motivations are often selfish, but when the time comes will he abandon those selfish desires, or will he give in to nihilism and abandon meaning in life, abandon the will to continually struggle to survive?
There is a type of story where the protagonist begins with a relatively small task, and from that is sucked into an epic adventure. One example of this is the movie China Town (and many other film noir or hardboiled novels). In China Town the detective begins with a relatively small case that expands as he uncovers… why don’t you just watch the film, it gets intense.
In these stories, an often reluctant hero must escape his/her comfort zone and rise up to the challenge, otherwise the results could be disastrous. Grim Curio will take on a version of this. What begins for our protagonist, James, as a small case in an inconsequential village will escalate into a story of survival for the last city on earth and the entire human race. James motivations are often selfish, but when the time comes will he abandon those selfish desires, or will he give in to nihilism and abandon meaning in life, abandon the will to continually struggle to survive?
So those are my goals for Grim Curio as I see them now. They may expand or morph over time. Writing is an iterative process, and what seems to work in concept doesn’t always pan out in execution. So I suppose a last goal is more of a process one: to have the ability to roll with the creative punches, to abandon any goal that isn’t working for the story’s benefit.
That’s it for now. What do you think of these goals? Let me know in the comments, and we can continue the discussion there.