Nine Novels that Changed My Life

I also filmed a video version of this blog post. Watch it on YouTube.

Most readers can put together a list of life changing books. I have my own. A list of novels that shaped me in some way. Some of they expanded my perspective of the world, others inspired they way I write my own works. So today I’m sharing a list of nine life changing novels.

This is an abbreviated list. If I were to list every novel that affected me, we’d be here for days. So I set up a kit, an ever-growing list of books that changed my life. If you want more life-changing books, check it out too.

Treasure Island by Robert Luis Stevenson

Treasure Island was one of those early books that encouraged my love of reading and writing. While I started reading illustrated abridged versions of young readers, as I grew older I revisited it several times. Unlike other novels (and movies for that matter) of my younger years, this one held up because of it’s fun and fast-moving plot, engaging characters, and standout villain.

The Complete Works of William Shakespeare

Shakespeare is an inspiration (buy his complete works). I continue to draw from his works again and again, but never live up to anything he’s accomplished. I love King Lear and Titus for the passion in their protagonists. There’s something so compelling in watching a person at their height brought low. The Tempest is surreal, and Othello is captivating. If you haven’t seen a live Shakespeare performance, you owe it to yourself to do so.

Franny and Zooey by J.D. Salinger

Generally speaking, people tend to talk about Catcher in the Rye as J.D. Salinger’s masterpiece, but I personally think it pales in comparison to Franny and Zooey. The novel is mostly dialog, so we Perdidoget to know these characters. If you’re looking for a study in dialog to improve your own writing, you can’t do much better than this.

The Curious Incident of the Dog in the Night-time by Mark Haddon

Doesn’t it have a fantastic title? The Curious Incident of the Dog in the Night-time follows a young autistic boy as he investigates the murder of a dog in his Perdido yard. But it goes much deeper than that as we follow him day by day and see everything through his perspective. It does a great job of immersing you in a characters head that may be very much unlike you, which is why it affected me so much.

Around the World in 80 Days by Jules Verne

Jules Verne’s Around the World in 80 Days heavily influenced the writing style in my first two books, Discovering Aberration and The Gin ThiefI love the way he strings a sentence together, so when I set to writing a steampunk novel, I thought a voice similar to his would make a great fit. Not only that, but his novels are pure fun. Sure there are a few boring sections here and there where he get’s overly specific on how technology works or how an economy functions, but if that bores you, simply skip a paragraph or two and you’re back into the adventure.

Steppenwolf by Hermann Hess

In my college years, Hermann Hess affected me more than any other writer. I felt a real connection with him that I haven’t felt with a writer since. While everyone reads Siddhartha, a book that’s fine, most don’t move on to his real masterpieces like Steppenwolf, Narcissus and Goldmund, or The Glass Bead Game. All of these novels shaped the way I think permanently, gave me perspective on life, sex, religion, and art. If you’re looking for the standout author who really changed the way I view the world, it would be Hermann Hess.

Perdido Street Station by China Mieville

The grand achievement of this book is the fact that as soon as I finished reading it, I started again from the beginning. I don’t think I’ve done that before or since. It’s world is so utterly engrossing, and so wildly different from our own. If you’re searching for a fantasy that throws out all of the genre norms, builds a world fresh from the ground up, and tells an engaging and dark narrative, look no further than the masterpiece that is Perdido Street Station.

The Name of the Wind by Patrick Rothfuss

It is the first book of a now famously unfinished trilogy. The fact that it’s unfinished doesn’t bother me a bit, and it shouldn’t bother you either. Let genius work. Time has always been a major ingredient in the writing of these books. Anyway, The Name of the Wind is an outstanding novel that drops you into a characters head as he goes about life, grows up, learns magic, and seeks revenge in this fantasy world. It all sounds fairly typical of a fantasy novel, but in its execution, it really stands out. I’ve read it several times and will read it several more.

Blood Meridian by Cormac McCarthy

This is a novel with perfect prose. I’ve never read a more perfectly written novel. It’s astounding. Blood Meridian is an extremely dark tale that will stick with you well after you put it down. There are scenes that get etched in your mind. I’ve loved some of Cormac McCarthy’s other books, such as The Road and No Country for Old Men, but even those fantastic novels don’t hold a candle to Blood Meridian.

Grim Curio Writing Goals – A Deep Dive into the Ideas Behind The Process

When writing any work, it’s a good idea to establish goals. Some authors may focus their efforts on exploring the entire life of a character in a compelling way (Patrick Rothfuss and Name of the Wind). Another may focus on terse, expressive sentences and a relationship between father and son (Cormac McCarthy and The Road). Another may focus on exploring an interesting city and all the varied inhabitants therein (John Berendt and Midnight in the Garden of Good and Evil).

Of course I can only guess if those goals were established by their authors. I haven’t talked to them about this or anything, but Pat, if you want some free coffee or beer, hit me up and I will gladly buy 😉. Either way, it’s a safe bet that these authors followed guidelines set up by themselves at some point during the creative process.

3 Novels Inspiring Grim Curio by S.C. Barrus

What are my goals while writing Grim Curio?

I’ve been considering my goals for Grim Curio for quite some time, and I have a pretty solid idea of what I want out of the book, at least in this stage of the process. Things may change, and that’s ok, but for now these are the driving So let’s dive in.

Minimalist style

A post apocalyptic world is a barren, caustic place, so the sentences should match.

Discovering Aberration by S.C. BarrusMy writing style morphs a bit from work to work. While writing Discovering Aberration my goal was to write as though I were a steampunk Jules Verne and Robert Louis Stevenson love-child. I wonder what those two would think of that sentence. I believe form should match content. A post apocalyptic world is a barren, caustic place, so the sentences should match. This doesn’t mean writing as many three word sentences as possible, but I do like the occasional one or two word fragments for emphasis. The trick is not overdoing it.

The final thing I enjoy about minimalism is the rhythm. By the time I get to a third or forth rewrite, the rhythm and flow gets really established. It’s fun to establish a series of short and medium length sentences, then subvert that with a long, flowing thing that builds the scenes and expands the action. Then short again.

Relatable Antagonists

Like many disenchanted teenagers, Nat deals with harsh reality by destroying things.

One thing I loved about the novel The Final Empire by Brandon Sanderson was the eventual relatability of the villain. There’s something special about a story where even the bad dudes give you the feels. I want that in Grim Curio, but in my own way. There are a few antagonists in Grim Curio, but one of the major ones, who is introduced in the second chapter, is Nat. She is a sixteen year old girl who’s still figuring out the world she lives in. Like many disenchanted teenagers, Nat deals with harsh reality by destroying things. It starts small, smashing windows, but what happens when she’s adopted by an extremist group?

If I do my job right, you’ll love her and hate her. You’ll want to give her a hug, or wish someone would shoot her. The same goes for my other, secondary antagonists, but in different ways. Each should be understandable, relatable, even when they’re doing something terrible.

Perdido Street Station by China MievilleStrange but familiar

All of the fantasy elements are grounded in an in-world science.

I’m a huge fan of weird fiction, like Perdido Street Station by China Mieville. I love the effect of making the strange feel familiar. Now I’m not attempting to dive as deep into the strange rabbit hole as Mieville. Rather I’m drawing heavy inspiration from how fantasy is portrayed in the anime (and manga I suppose, though I’ve not read it) MushiShi.

So how is fantasy incorporated into MushiShi? Very naturally. All of the fantasy elements are grounded in an in-world science. The Mushi themselves feel like an extension of our own reality, like slightly more fantastic bacteria, strange sentient swamps, or parasites that grant supernatural hearing that drives people to madness.

If you’ve read any of my snippets, you’ve probably seen similar things. Namely the disease in Clayton that afflicts children, causing them to scream in the sunlight, slowly eating away at their consciousness. I want these fantasy elements to feel like an extension of reality, strange but familiar.

Great things from small beginnings

James motivations are often selfish, but when the time comes will he abandon those selfish desires, or will he give in to nihilism and abandon meaning in life, abandon the will to continually struggle to survive?

There is a type of story where the protagonist begins with a relatively small task, and from that is sucked into an epic adventure. One example of this is the movie China Town (and many other film noir or hardboiled novels). In China Town the detective begins with a relatively small case that expands as he uncovers… why don’t you just watch the film, it gets intense.

In these stories, an often reluctant hero must escape his/her comfort zone and rise up to the challenge, otherwise the results could be disastrous. Grim Curio will take on a version of this. What begins for our protagonist, James, as a small case in an inconsequential village will escalate into a story of survival for the last city on earth and the entire human race. James motivations are often selfish, but when the time comes will he abandon those selfish desires, or will he give in to nihilism and abandon meaning in life, abandon the will to continually struggle to survive?

Conclusion

So those are my goals for Grim Curio as I see them now. They may expand or morph over time. Writing is an iterative process, and what seems to work in concept doesn’t always pan out in execution. So I suppose a last goal is more of a process one: to have the ability to roll with the creative punches, to abandon any goal that isn’t working for the story’s benefit.

That’s it for now. What do you think of these goals? Let me know in the comments, and we can continue the discussion there.