While writing Grim Curio is still in full swing (but nearing its end), I’ve been thinking about future projects a lot lately. I have two other novels in the works, The Gin Thief episodes and an untitled novel I’m co-writing with my wife, Tana.
She’s not much into social networking or blogging, but she’s a voracious reader and you can follow her on Goodreads. Last year she read well over 100 books and this year she’s already on track to surpass that.
I’ve been asking her for a while, “When are you going to write your own novel?” and she shrugs.
She’s the reader, I’m the writer. But I knew there was a story inside her if I could just coax it out. So during an hour long drive, I grilled her. I started with the broad questions. “If you were to write your novel,” I asked, “What genre would it be?”
She was skeptical of my motives, but after a little coaxing she opened up. “My favorite books are mash-ups of Science Fiction with a Fantasy element,” she said. Turns out, she likes the Sci-fi aesthetic, and magic systems from novels like the Mistborntrilogy. Sounds good to me.
“I really like the plot of Treasure Island,” she said. One of my favorite novels. Scored a big point with that one. “I’m interested in a science fiction retelling of Treasure Island with magic and a heist.”
I was taken aback. “That sounds amazing. I’d totally read that. In fact, I’d totally write that.”
We tossed ideas back and forth, getting more and more specific along the way. And what we came up with was this.
It’s a mess. But it’s also a jumping off point.
Let’s say you’re interested in writing your own novel, but don’t know where to start. What can you take away from this?
Find someone to bounce ideas off of
As it turns out, Tana has more interesting ideas than I do. Go figure. She’s read everything under the sun. She’d throw me an idea, and I’d build on it and throw it back. Pretty soon we had the seed of what could be a promising story.
It’s important to remember that there really isn’t such a thing as a bad idea in this stage. It’s ok to say, “That’s been done before,” or “I’d rather see something like…” But don’t shoot the other person’s ideas down. They are doing you a service, and if you want their continued support, be encouraging.
Start broad, then go more and more narrow
You’ll notice that in the beginning there wasn’t a specific idea. But as we explored settings and themes and plot structure, we began to get more and more specific.
Of course this isn’t the only way to go. In fact, this is the first time I’ve ever attempted to create a novel this way. But it seems to have worked well.
Alternative ways to begin a novel include: start with a character, start with the plot, find an idea you want to explore, find an aesthetic, or just find a book you want to emulate. It really doesn’t matter where the spark of the idea comes from. Just find a something you love and run with it.
What you brainstorm here will likely not be your final product. What sounds amazing in the idea generation phase may be terrible once executed. There’s no way to know until you do it.
Embrace change. Pivot once you realize something isn’t working. Don’t hold yourself to your early ideas, because in the end it doesn’t matter how you started, only how you finish.
Realize that this is just the first step
The work is only just beginning. An idea isn’t worth the paper it’s written on unless you follow through with it. Writing a novel is a lot of sustained hard work. Be prepared to follow through for months and months in the trenches, taking fire and shooting back until… you’re novel is written I guess. Not a great analogy, but I’m keeping it.
Right now I’m working on so many projects, sometimes it’s hard for me to keep them straight. I imagine it might also be difficult for you to follow along. So to try to, eh, clarify, I created this flowchart.
The bar on the left measures a project’s level of completeness. The bar on the bottom signifies time. So the projects in the top right are nearly complete but way in the future. To be honest, I’m not sure how much it does clarify. Maybe I’ll take another crack at it sometime in the near future.
I’ve nearly finished writing Grim Curio. 92,000 words written, and when it’s done it’ll be just shy of 100,000. That’s pretty damn close.
I’m a little sad to be at this point. Grim Curio has been a very rewarding book to write. I’ve expanded my skills and pushed myself as far as I can.
Even so, I’m ready finish. Writing Grim Curio has been exhausting. So while I’m sad to see the experience drawing to an end, I’m also relieved.
To celebrate this milestone, here’s three takeaways from my writing process.
I found my own voice
It seems to me that a writers voice is always evolving. But for the first time I feel the voice I’m writing in is my own.
While I enjoy the narration of Discovering Aberration and The Gin Thief, I think it’s fairly obvious that I was emulating the style of the Victorian Era (drawing heavily from Jules Verne).
With Grim Curio, it was just me.
I improved my pacing
Pacing is critical. Bad pacing can cripple an otherwise great novel. I’ve struggled with pacing before, especially with Discovering Aberration‘s drawn out introduction and drastic shift in tone.
But with Grim Curio I feel like I nailed it. Beta readers seemed to agree. Now I’ve got to carry that structure to future works.
While my other novels are straight forward adventures without too much subtext to dive into, I feel like I’ve added a depth to Grim Curio I’ve never written before.
Grim Curio can be read as a straightforward post apocalyptic story, but there are layers and layers here that I weaved into the narrative. Some of my beta readers picked up on these deeper themes, others were content to read it at a surface level.
The fact that both were possible and both sets of readers reported high levels of enjoyment tell me I did something right there. Go me. Gotta pat myself on the back sometimes. God knows I pile on the criticism enough.
Anyway, that’s all for now. Lot’s more coming in the weeks ahead. I’m getting back into my regular blogging schedule again now that things are calming down. Keep an eye out, and if you want to be notified of any future releases, sign up for my mailing list.
Writing a novel is a massive undertaking. Even a short one will consume hundreds, if not thousands of hours of your life. So it’s no surprise that so many people look for effective novel-writing strategies. What follows is the first post in my series on novel-writing. Through this series we’ll explore my current novel-writing process from conception to wherever the future takes us.
Writers write because they are inspired, don’t they? In film, writers struggle for that perfect idea, for that flash of inspiration. They struggle over a blank page, cursed with genius yet a lack of inspiration for they’re next novel. If we take movies at their word, no writer would ever write until they discovered the perfect, world shattering idea.
Lucky for us, writing doesn’t actually work that way. Good ideas are important, but they aren’t the crux that every novel depends on. Moreover, while inspiration may simply strike some people, most of us have to fashion habits that will coax ideas out of the back of our minds on a regular basis.
So how important is the inspiration behind your next (or first) novel? How do you create habits that ensure ideas come freely and with relative ease? Read on to dispel some common myths, learn a bit about the nature of inspiration, and build the habits that nurture ideas, generating them on a near daily basis.
The Prefect Concept
Do I need the perfect idea before I start writing?
You’re about to devote months, perhaps years to writing your masterpiece but it all starts with an idea. One bud of a thought can fuel countless hours of your life as you tackle the thankless task of sitting in a room, alone, writing. So you should wait to begin until you have the best idea ever, right?
No. In my experience, aspiring writers place too much importance on the idea behind their story. They seem to believe that if they think and think and think, they’ll come up with the perfect concept, and a book will eventually form. They will often say, “I’ve been working on a story for years.” But when it comes down to it, no words have been written.
What’s the issue with placing too much emphasis on the idea?
Some people will build their ideas for years. They may even change from one concept to another, developing ideas so thoroughly that they may as well have written their novel to completion. People I know and love have developed tons of ideas but have nothing to show for it. What they don’t realize is that an idea is only a fraction of the work involved when writing.
In reality there’s no need to labor over an idea until it’s perfect. Ideas are a dime a dozen. Everyone has them. Even a really solid idea is worthless without the right amount of ass in chair time.
Let’s consider Tim. Tim spent years developing his idea, and it’s damn near perfect. If you could see the visions inside his head, you’d be brought to tears for it brilliance. When Tim finally sat down to write, an awful thing happened. The words didn’t sound right. They felt amateurish and sloppy.
The trouble is, Tim knows what good writing is. He’s read it over and over again. But Tim never practiced the actual craft of writing. He’s read great novels, read amazing books on story structure and character arcs. He knows when writing is good or bad, but he hasn’t spent enough time practicing the craft, so his perfect idea in theory is now a mess in execution.
Had Tim settled on a half-formed idea, wrote it out, and admitted it was bad, he would have had hundreds of hours of experience writing. Maybe his first effort will never get published, but by the time he gets to his second or third novel, his writing will be leaps and bounds better, the ideas will come easier, and his ability to communicate through text will mature.
In other words, don’t put too much emphasis on the idea of your book, especially your first book. Find something that interests you and start writing. The more you do this, the easier the entire process will become.
Fostering Habits to Encourage Constant Inspiration
Now that I’ve spent roughly 1000 words downplaying the spark that incites your novel, I’m going to admit that ideas are kind of important after all. Before you sit down to a blank screen and flashing cursor, you’ll want to start somewhere. So where does the inspiration come from?
Idea’s can come from anywhere, you just need to condition yourself to generate them. I’m a firm believer that anyone can be a good writer, talent be damned. Sure, in every walk of life there are some people who are inherently talented, but there are far more people who simply worked really hard to get what they want. Everything about the writing process will come easier if you put the hours in. That includes finding inspiration.
The three B’s
I once had a professor tell me that inspiration comes from the three B’s: bathroom, bedroom, and bus. What he meant was, there are certain points of the day where you’re doing nothing, and it’s these moments where you’ll find yourself inspired. It doesn’t happen all the time, but when it does, it’s likely while you’re commuting, falling asleep, or doing your bathroom business.
But if you’re a writer, you probably need more than that. You’ll want to create habits that insure you have constant moments to think, explore ideas, and hopefully be inspired.
Make time for contemplation
All of my best ideas come in times of quiet contemplation, which for most people doesn’t just happen. You need to create the times to think, which can unfortunately be quickly overrun by the busy world, much like a gym membership. This in turn forces you to be ever vigilant in protecting you thinking time, deliberately setting aside regular time for it.
Most people only reserve this kind of thinking time for the three B’s — and bathroom has now become the place of the smartphone so maybe the B’s are down to two. To be in a state of constant inspiration, or to at least aspire to that state, you need to consciously develop a habit of turning off distractions (including other people) and just think.
For me, habits are easiest to maintain when they easily fit into my schedule. Let’s be honest here, creating new habits is hard, especially with my busy schedule filled with family, work, writing, reading, Muay Thai, video games, Harmonquest, Rick and Morty, and anime. You likely have things you’re passionate about too, so tailor your novel meditation schedule to work best with everything else you’ve got going on.
Driving – At least a few days per week I spend my 40 minute commute to work listening to this playlist and just thinking. No audiobooks, no podcasts, no damn commercials. Just me and my thoughts for 40 minutes straight. It’s amazing how much will come out of these driving sessions once you make a habit of it.
If you have the privilege of a long commute, this is a viable option for you. It’s time you wont get back anyway, might as well invest is as a thinker rather than a passive talk radio listener. But if you don’t commute, find time where you’re doing constant, mindless things, and inject your mind into the equation. Walking, running, shopping, and for some people maybe while working.
Bed – About twice per week I’ll go to bed an hour early. I know that I can rarely actually fall asleep before 10:30pm, so I go to bed with the goal of mulling over current project. Since I’m already in the middle of writing Grim Curio (sign up for my newsletter so you don’t miss it’s release) I’ll spend that time thinking on character motivations and arcs, plot points, and themes.
When one of the ideas feel particularly good, I’ll find a way of putting it to paper. Later I’ll work it into my book summary so when I get to the applicable point in the novel, I’ll remember exactly what I was thinking.
I feel like this is an easy option for most people. Do what you have to so you’re in a thinking mindset, lay down, close your eyes, and just think.
Writing – To be honest, a lot of great ideas and sparks of inspiration come in the moment during the writing process. Sometimes it relates to the current scene, but just as often what I’m writing will spark an idea for a future scene. These ideas can disappear quickly, so make a note of it right away.
These ideas tend to be on the details and continuity level for me, so their different from what I think of in the previous strategies. Because of this, I would not rely on this time to be your only time to think on your book. At the same time, don’t underestimate the value of simply writing, even if you have no direction at all. Ideas will come to you as you work through all the threads in your mind. So, even when nothing else is working, sit down and write.
With their powers combined
Don’t rely on just one of these times to contemplate your novel. Try a combination or come up with a few of your own. Best results come when taken together.
The personal risks of living in constant pursuit of inspiration
I’m not normal. You probably figured this out already. I’m pretty aloof, I forget a lot of important things, and I have a hard time maintaining relationships with many people outside my family — even inside my family if I’m being honest. For a normal person, this might sound lonely, but for me, it’s what I crave.
This personality flaw, as some might call it, is likely a result of my own pursuit crafting the perfect piece of fiction. I spend so much time thinking about my writing — and other creative projects — that when it comes time for the real world, often I’m a step behind.
For me, that’s ok. I enjoy being alone and spending time simply thinking on things. This is where my inspiration comes from. So be warned, transitioning into a life in constant pursuit of inspiration may come at a cost. Or you might already be an outcast, nerd, or other form of standoffish enthusiast. My people!
Don’t put too much pressure on your ideas
The idea generating phase never ends, so try not to stress about it. The more you allow yourself to think on things, the easier it becomes. Remember, it takes years to become good at anything. Don’t expect the first manuscript you write to be your masterpiece. You could be one of the lucky one’s who writes a classic on their first go, and to you I say fuck off.
It takes most people years to become great at manipulating a thousand ideas into a novel, so just make time for thinking and writing and let everything else go. There’s too much stress in the world already. Don’t make the creative process into a stressful one. Enjoy the struggle, take pride in your mistakes, at least you’re creating something out of nothing! Later on, those early mistakes will be obvious and you’ll find all new weaknesses to strengthen. So it goes.
When your expectations are too high, nothing feels good enough. Accept that not all of your ideas will be perfect. Some may feel average at best but will create a compelling story in execution. Others may feel great and in execution you’ll realize that they weren’t all you thought they were. It’s all ok. Pivot. Come up with new ideas. Think and think on it, massage it, and eventually something good will come.
Recognize that the initial idea will likely get left in the dust
When I wrote Discovering Aberration, my initial idea was inspired by a dream of a mysterious island with some hidden technology submerged under a lake protected by a dragon. The island and the ancient technology made it to the final draft. All the rest got written out. In the end I wrote a story involving gang wars, evil archeologists, a lost civilization, and characters driven to madness. Idea’s change, and that’s ok. Let them take on their own life, coax them along, adjusting when you need to.
Ideas and inspiration don’t strike anyone not actively looking for it. The right mindset, discipline, and practice will cause ideas to flow. If you aspire to being a great writer, then the best advice I can give you is to write and never stop. I hope you found this first post in my novel-writing series useful. If you did, I would very much appreciate it if you would be kind enough to share. I’ll see you next time.
“And doing what we do, it makes us big. Just like you said, alone you can’t do anything. Nobody listens, nobody cares, everyone is dying and everyone knows it. I’ve seen people dying everywhere in slow and ugly ways. Nothing I can do about it. What I do now makes a difference. Makes a big difference. People all over are scared of me. They don’t know it’s me they’re scared of, but they’re all frightened of my shadow, of my influence, of the threat that my existence brings. Not just the surface dwellers, not just the undercity, all of ‘em. You, the girls, everyone. And if you don’t think so, it’s because I haven’t had a reason to show you yet.”
Above is a snippet from a recent scene written in Grim Curio. It’s been a while since I shared a properupdate, so let’s dive in.
Threads are Coming Together
Grim Curio has a decently complex narrative. There are three separate threads that affect each other both directly and indirectly as the story progresses, eventually all merging into a single thread. At times it gets difficult to write in a way that everything makes logical sense and is fun to read, so the further I get, the slower progress is coming. Right not I’m in the thick of it as all three narratives are coming together, but once that’s complete I expect my progress to pick up again.
I’ve also shared the first four chapters on /r/DestructiveReaders, a subreddit I frequent in order to improve my writing and get feedback from readers while the book is still in progress. Feedback has been great!
Three or four months ago I shared these same chapters in an earlier form, and the critiques prompted me to overhaul the style (you can read about the decision to rewrite everything I’d written here). I’m glad I did because readers are responding much more favorably to GC now, with feedback focusing on specific elements rather than the broad strokes.
Some readers have approached me with a desire to become part of my writing process. There are actually lots of ways to do this, so I thought I’d share them with you.
Become an alpha reader
You may have heard of beta readers, but with my GC I’ve been taking it one step further with alpha readers. While beta reading is a structured process with a predefined set of readers giving regular feedback, alpha reading more free form. You can learn the differences here.
I share chapters on /r/DestructiveReaders, and you read and either leave comments in the Google Doc, and/or write a short summary of your thoughts. If you want to be notified whenever a new chapter is released, go to the contact page and send me a message. I’ll email you whenever a I share a new chapter.
I’ve been building a killer writing playlist on Spotify for a year. I somehow created a 19 hour behemoth of music I can reliably count on whenever I need to get into the writing mood. Shuffle play, and instantly I get pulled into a more contemplative piece of mind.
It’s a mix of chill out, down tempo electronic, psychedelic post-rock, and movie and video game soundtracks. Almost all of the songs have a steady but relaxing beet and trance inducing rhythms. Few have any singing, and those that do feature the kind of vocals that blend with the music rather than drive it.
Below is the playlist. I called it Creativity Juice – A Writers Playlist. Look down further for a sample of some of the artists included. And if that doesn’t float your boat, scroll way down past that where I share some of my playlist creation wizardry tips. So good.
Listen to The Playlist
The artists include:
Want to give this playlist a test drive? Check out some of the artists.
The Album Leaf
Couching Tiger Hidden Dragon
And Many, Many More.
What if you hate my taste in writing music?
Make it yourself! Below are some thing’s I’ve learned building a the perfect writing playlist for me. Feel free to give it a shot and before you know it, you’re going to be rocking your own masterpiece.
Add Songs Liberally
I like to add liberally. I start by picking an artist I like, listen to an album or two and add a song to the playlist every time I’m compelled to. Usually my criteria is to answer “will I ever like to hear this again while writing?” with maybe or greater. This builds your playlist quick, especially in the beginning.
Remove Songs Liberally
Once you’re listening to your playlist, you’ll quickly find that some of the songs that you thought would work just don’t strike the tone you want. Cut it as soon as you notice. Nothing is worse than listening to a playlist and skipping every other track. If you ever feel like skipping, just remove it instead. If you want, you can add it to another track later.
Utilize Recommended Artists
Once you’ve had your fill of any one artist, jump on a few of the related artists. I’ll generally give an artist I’ve never heard before a three song test. If I only skip one out of three songs in a row (adding songs I liked along the way), I’ll pick an album and listen to it from the beginning, otherwise I go back and pick again. Don’t just listen to their most popular tracks. Instead, pick an album and start from the beginning, adding songs you like as you go.
Listen While Your Not Writing
When you’re writing, the last thing you want to do is stop writing to manage a playlist. If a song comes on that you want to skip, if you’re like me you’ll just suffer through it unless it’s really grating. Instead, listen to your writing playlist when you’re not writing and remove the songs that aren’t working.
That’s all I’ve got. It’s not rocket science, but it’s a method that works for me. So what do you think of the playlist? If you listen to it during a drafting session, let me know how it went in the comments. If you’ve created your own writing playlist, feel free to share a link.
It’s been radio silence on my end for the past few weeks, which isn’t cool at all. So today I’m jumping back into the game, filling you in on what’s been going on in my world, and update you the production of Grim Curio.
Mo’ House, Mo’ Problems
Last month I bought my first house. Woohoo! It’s a bit of a fixer upper, and I’ve been doing a fair share of the work myself as well as juggling contractors, suppliers, and getting the whole furniture situation worked out.
This effectively destroyed all of my blogging and social media time which is why there’s been little coming from me lately. Worry not. My actual writing progress has been as good as ever despite the work. Setting aside two hours a day four or five days a week has become an ingrained habit. Social media and blogging, isn’t on that level yet. Maybe one day.
Grim Curio Progress
You may remember the major rewrite I undertook about two months ago. It was an attempt to better establish the setting, as well as shift from first to third person perspective and from past tense to present tense. That work has finally been 100% completed!
On top of that, there used to be quite a bit of stuff I’d written that I realized would never make it to the final version, but I held on to it for a long while. All the dead text has been stripped away. I ended up cutting around 15,000 words and adding around 20,000.
The result is a tighter, more immediate story that can effortlessly shift perspectives and weave an intricate plot. There multiple perspectives and several storylines that affect each other, subtly at first then more pronounced as the story progresses, and these changes made that structure much more natural feeling.
When I first started writing Grim Curio I had beginning, middle, and ending scenes in mind, but nothing outlined. I simply started writing by aiming the plot in the direction of the middle scene, building future scenes in my mind as I went. Some writers call this method “pantsing it” or “discovery writing”, and it’s the way I wrote Discovering Aberration.
This worked fine for Grim Curio so far, in fact I think it’s the best thing I’ve written. But sometimes it’s nice to have a better idea of a slightly more granular view of where things are going.
Recently I read about one of Brandon Sanderson’s plotting techniques (then quickly began watching his writing course on YouTube). Basically he writes a list of his most important scenes, then adds bullet points as to how the characters will “earn” each of those scenes. The bullets points are then turned into their own scenes, and boom, he has a plot.
I’ve never been a fan of traditional storyboarding, but this method sounded great to me, so I gave it a shot. The result is the fully plotted story structure of Grim Curio. I have to say that I really like this method so far, we’ll see if that holds true as I continue to try it out.
Now that this plotting exercise is complete, I have somewhere between 40-50% of the story written. What’s done is the first act (which is generally the longest act in most stories). Act 1 is mostly a self contained story with a side plot which will build into the meat of act 2.
Act 2 introduces new characters (Tannea and Simon, two scientists experimenting with parallel universes) and a new conflict which will permeate the rest of the novel. James will be drawn into this conflict in a much different way than he was drawn into the conflict of act 1.
However, Nat (antagonist who’s had the second most screen time of all the minor characters) will be incorporated into this conflict as well, but her screen time will be shared by the newly introduced characters as well as the rest of the Sisterhood.
Act 3 will be a doozy. By act 3 I think we’ll have the final set of secondary characters established (namely the government officials who’s actions drive much of the conflict of the final act). The conflict will build on what came before in act 2, but the stakes will be much higher than at any other point in the story (as might be expected from the climax). I even have an idea of what the last few sentences of the novel might be.
Stay tuned for more.
Hopefully that gives you a peek into my progress without giving too much away. But there’s more I’ve been preparing aside from Grim Curio. Recently I’ve been thinking about my publishing career as a whole and what I can do to right the wrongs I’ve done in the past (ie. not finishing The Gin Thief). There’s a lot I have on my mind, and a lot of planning that needs to happen, all of which I’ll address in the near future. Till then, you all keep reading!
When writing any work, it’s a good idea to establish goals. Some authors may focus their efforts on exploring the entire life of a character in a compelling way (Patrick Rothfuss and Name of the Wind). Another may focus on terse, expressive sentences and a relationship between father and son (Cormac McCarthy and The Road). Another may focus on exploring an interesting city and all the varied inhabitants therein (John Berendt and Midnight in the Garden of Good and Evil).
Of course I can only guess if those goals were established by their authors. I haven’t talked to them about this or anything, but Pat, if you want some free coffee or beer, hit me up and I will gladly buy 😉. Either way, it’s a safe bet that these authors followed guidelines set up by themselves at some point during the creative process.
What are my goals while writing Grim Curio?
I’ve been considering my goals for Grim Curio for quite some time, and I have a pretty solid idea of what I want out of the book, at least in this stage of the process. Things may change, and that’s ok, but for now these are the driving So let’s dive in.
A post apocalyptic world is a barren, caustic place, so the sentences should match.
My writing style morphs a bit from work to work. While writing Discovering Aberration my goal was to write as though I were a steampunk Jules Verne and Robert Louis Stevenson love-child. I wonder what those two would think of that sentence. I believe form should match content. A post apocalyptic world is a barren, caustic place, so the sentences should match. This doesn’t mean writing as many three word sentences as possible, but I do like the occasional one or two word fragments for emphasis. The trick is not overdoing it.
The final thing I enjoy about minimalism is the rhythm. By the time I get to a third or forth rewrite, the rhythm and flow gets really established. It’s fun to establish a series of short and medium length sentences, then subvert that with a long, flowing thing that builds the scenes and expands the action. Then short again.
Like many disenchanted teenagers, Nat deals with harsh reality by destroying things.
One thing I loved about the novel The Final Empireby Brandon Sanderson was the eventual relatability of the villain. There’s something special about a story where even the bad dudes give you the feels. I want that in Grim Curio, but in my own way. There are a few antagonists in Grim Curio, but one of the major ones, who is introduced in the second chapter, is Nat. She is a sixteen year old girl who’s still figuring out the world she lives in. Like many disenchanted teenagers, Nat deals with harsh reality by destroying things. It starts small, smashing windows, but what happens when she’s adopted by an extremist group?
If I do my job right, you’ll love her and hate her. You’ll want to give her a hug, or wish someone would shoot her. The same goes for my other, secondary antagonists, but in different ways. Each should be understandable, relatable, even when they’re doing something terrible.
Strange but familiar
All of the fantasy elements are grounded in an in-world science.
I’m a huge fan of weird fiction, like Perdido Street Stationby China Mieville. I love the effect of making the strange feel familiar. Now I’m not attempting to dive as deep into the strange rabbit hole as Mieville. Rather I’m drawing heavy inspiration from how fantasy is portrayed in the anime (and manga I suppose, though I’ve not read it) MushiShi.
So how is fantasy incorporated into MushiShi? Very naturally. All of the fantasy elements are grounded in an in-world science. The Mushi themselves feel like an extension of our own reality, like slightly more fantastic bacteria, strange sentient swamps, or parasites that grant supernatural hearing that drives people to madness.
If you’ve read any of my snippets, you’ve probably seen similar things. Namely the disease in Clayton that afflicts children, causing them to scream in the sunlight, slowly eating away at their consciousness. I want these fantasy elements to feel like an extension of reality, strange but familiar.
Great things from small beginnings
James motivations are often selfish, but when the time comes will he abandon those selfish desires, or will he give in to nihilism and abandon meaning in life, abandon the will to continually struggle to survive?
There is a type of story where the protagonist begins with a relatively small task, and from that is sucked into an epic adventure. One example of this is the movie China Town (and many other film noir or hardboiled novels). In China Town the detective begins with a relatively small case that expands as he uncovers… why don’t you just watch the film, it gets intense.
In these stories, an often reluctant hero must escape his/her comfort zone and rise up to the challenge, otherwise the results could be disastrous. Grim Curio will take on a version of this. What begins for our protagonist, James, as a small case in an inconsequential village will escalate into a story of survival for the last city on earth and the entire human race. James motivations are often selfish, but when the time comes will he abandon those selfish desires, or will he give in to nihilism and abandon meaning in life, abandon the will to continually struggle to survive?
So those are my goals for Grim Curio as I see them now. They may expand or morph over time. Writing is an iterative process, and what seems to work in concept doesn’t always pan out in execution. So I suppose a last goal is more of a process one: to have the ability to roll with the creative punches, to abandon any goal that isn’t working for the story’s benefit.
That’s it for now. What do you think of these goals? Let me know in the comments, and we can continue the discussion there.
The world never ended. 500 years after three cataclysmic events, the last city on earth struggles to survive. Now it’s time to find a new home, on another planet or in another dimension, before humanity is gone for good.
When I talk about writing, the most common question I’m asked is, ‘How do you stay motivated enough to finish a novel?’ That’s a tough question, especially when talking to new writers.
Until recently, I never really thought about it, it was just something I did. But over the last month, I’ve been hyper aware of what keeps me going. This blog post is the result.
We create because we are driven to create.
So if you’ve lit the fire inside, if you need to create something great but find your mind drifting to other things, this post is dedicated to you. Hopefully a few of these points will help instill in you the drive to keep going no matter what. Don’t worry, we’ll have some fun along the way 😉
You’ve heard this before, but that’s because it’s true. If you’re not passionate about what you’re creating, how can you stay motivated? There are ways of course, maybe you’re guaranteed a fat paycheck, but for most of us that’s not the case.
The driving force
We create because we are driven to create. So before you dive head first into a project, find a way to check your passion barometer to make sure it’s something you could spend a year or two working on without sticking a fork in your eye.
You’re going to spend a lot of time writing this sucker, you might as well enjoy it.
Measure your passion
For my latest novel, I spent six month doing this. I had three novel ideas:
a science fiction novel about a terminally ill man becoming the first true cyborg and the existential crises that follows
a thriller where an estranged father kidnaps his son and the mother must track him down in the woods of the Pacific Northwest
a post post apocalyptic novel of a man in the last city on earth who researches the unravelling of the universe.
Three very different books, three very different writing experiences, but each seemed equally interesting for me. So I devoted a couple of months to writing the opening to each of these ideas. When six months passed, I mulled over which writing experience I was most passionate about and landed on number 3 (you can read it here).
You don’t need to do this exact exercise for you’re next creative project, but I recommend seriously considering whether you’re idea will remain compelling to you six months, a year, maybe two or three years down the road. You’re going to spend a lot of time writing this sucker, you might as well enjoy it.
Passion is important, but it’ll only get you so far. If you’re like me, then you’re human. As humans, we get easily distracted by shiny things like social events, entertainment, work, video games, chores, this whole internet thing, pick your poison.
Pick a temptation and regulate it so that you only partake during or after you’ve worked on your project.
So we get distracted for a day or two, and that stretches to a week, a month. Suddenly our passion project has become a task because we lost momentum. Our tour de force has become another chore. Time to get some psychology on our side.
Harness your temptations
Creative work can be hard and thankless for long periods of time. When the going get’s tough, you need a way to pull yourself back in. One technique I use is called Temptation Bundling, a trick I learned from the Freakonomics podcast.
The gist of it is: there are things you love to do. Video games, reading, podcasts, food, TV, etc. These hobbies can either overwhelm your creative energy, or empower it. Pick a temptation and regulate it so that you only partake during or after you’ve worked on your project.
For me, I love The Witcher 3. At the end of the day there’s little I’d rather do than dive into The Witcher‘s world and slay some monsters.But I don’t allow myself to do this unless I’ve sat down and spent some time writing.
Let the things you enjoy motivate you
Some days when I don’t feel inspired, I sit in front of the computer, write maybe 100 words, then turn around and dive into my monster killin’. Other days I get sucked into the story I’m crafting and The Witcher remains untouched. Either way, at least I’ve done something.
I don’t know about you, but I thrive on recognition. I have a hard time writing in a vacuum. There are a few reasons for this. First, the feedback I get is invaluable to the quality of my writing.
Even when someone doesn’t know any literary techniques, they can still gauge when you’re story is interesting, when your characters are compelling, or when your writing is stilted or meandering.
Beyond this, just the knowledge of people reading my work is enough for me to get a little extra oomph in my motivation reserve. Harness this social desire to have your work recognized as a factor in your drive to create.
Get eyes on your work
There are lots of ways to get others to read and respond to your writing. Let’s explore a few of these methods to get you started.
This is a community of writers putting their work out there with the express intention of receiving a brutally honest critique. Nothing is as eye opening on the quality of your work as honest feedback from complete strangers. I find learning my weaknesses helps me improve my writing as I go, rather than when the piece is complete. Highly recommended.
If you’re lucky enough to have a friend willing to read over drafts and drafts of your work for a year+, then take advantage of that as much as you can.
This is a tricky relationship to maintain, especially if it’s with someone you see on a regular basis. You don’t want to pressure anyone to read your work, because that can strain a friendship.
Still, accountabilibuddies can offer you motivation by telling you what works, what doesn’t, and by asking about your progress regularly.
For me, I like to spread this relationship around. I’ll share my writing with anyone who shows an interest, and then I’ll lay off and let them read it in their own time. Some people get back to me right away, others may take a month or two. Either way, be patient and understanding that they have a life.
When they do get back to you, gauge their enthusiasm. Try to see if they are holding back for fear of hurting your feelings, or see if their excited for the next part. Either way, you’ll know if you need to make changes, or keep on the path.
Wattpad is a website for writers to share their works. It tends to be serialized pieces and the audience skews pretty young. The pieces you share on Wattpad must start at the beginning and go through the novel in order, not so for the last two options. Finally, on Wattpad readers expect your work to be fairly polished, so this isn’t a good option for the early stages of writing.
Even given all this, Wattpad can be a nice place to get eyes on your work in progress. Readers often comment, and you can glean valuable insights into how your work is affecting them. Of the three ideas I’m sharing here, this is probably the least effective for motivation, but it works and it may build your audience too.
Ooooo. Controversial territory here. I used to drink while I wrote. I’d by a six pack of beer or a bottle of gin and dive in. I found my mind less encumbered, the barrier in my brain that might say, ‘don’t write that, it’s stupid’ would shut off. A sure fire win, right?
Making these things an integral part of your creative process will eventually end with you relying on it.
Unfortunately this led to me drinking whenever I wrote, and during extended writing sessions I’d drink a lot. Sometimes I’d get drunk and have to stop because I could no longer concentrate on the work. And I gained weight. And I’d feel like shit the next day. And soon the law of diminishing returns caught up with me.
The issues with substances as motivation
When drinking or pot or whatever is part of your motivation, dependency happens. Sometimes the substances begin to outweigh the writing, and your ritual devolves from writing with a glass of wine to drinking every night, to alcoholism.
There’s this image of the alcoholic (or drug addicted) writer, singer, artist that is romanticized in our culture. But in the long run, it doesn’t leads to better motivation, better work, or a better life. Don’t let drugs or alcohol become part of your routine as a writer, it won’t be worth it in the long run.
You don’t have to be a prude about it
Don’t get me wrong, I still drink on occasion, and have no issue with someone smoking weed. It’s legal in Washington state after all, and even before then I didn’t give a shit. But making these things an integral part of your creative process will eventually end with you relying on it. That’s bad news bears.
If you spend all your time writing, your writing will suffer.
Here’s the last bit, and maybe you weren’t expecting it. If you want to stay motivated as a writer, then ensure you’re still living. Don’t spend all of your time writing. You’ll burn out. You’ll miss out on the many awesome things life has to offer. You’ll lose the opportunities life provides to instill you with deep inspiration. If you spend all your time writing, your writing will suffer.
Great writers live full lives
Maintaining a balance in your life will not only keep you from burning out as a writer, but it will give you happiness and inspiration to boot.
I’ve heard some writers say that they need to write every single day without a day off. Maybe that works for them, but not for me. Don’t be afraid to take a night off every now and then.
I tend to remove the requirement of writing on the weekends. I may end up writing anyway, but it’s not something I’m setting out to accomplish. Instead I’ll be with my family, go out to Seattle, go mountain biking, exercise, practice Muay Thai, watch anime, read books, swing by coffee shops, take my kid to the park, life stuff.
Ok, so not entirely true. I write all my blog posts on the weekend too. So you caught me, I’m still writing, but the subject material is different.
Make room for inspiration to strike
Maintaining a balance in your life will not only keep you from burning out as a writer, but it will give you happiness and inspiration to boot.
Inspiration rarely strikes in front of the computer. It hits in the quiet moments of solitude when your mind is free to wander on its own. Inspiration sprouts while walking in the park, showering, laying in bed, driving, meditating, or just staring off into space.
Structure your weekends so that these moments are plentiful. Be lazy, enjoy the feeling of grass on your toes, watch the way leaves dance in the wind, or the way shadows fall. When you do this, you’ll find explosions of insight into your work will become an regular occurrence.
Participate in activities you can draw on
Do you know what it feels like to get shot? No? Yeah, me either. But I’ve dropped a knife on my foot (by accident) and I can draw on that experience when describing something different but related.
You can draw on these experiences and add a sense of realism to the things you’ve never gone through.
There are so many safe, fun, and controlled activities you can do that you can later draw on in your writing. Make sure you work these into your life, and while you do, contemplate on your experiences.
I’ve used the feeling of hiking off trail to inspire descriptions of exploring a jungle in my novel Discovering Aberration. I used the experience of playing music at open mic nights to inspire characters in my unpublished novel Everything Else by the Wayside.
Do I know what it feels like to be chased by someone trying to kill me? No, but I do know how it feels to spare with trained fighter, get beat up, smacked around, and still come up on my own two feet.
I know what it feels like to ride jumps on my bike that I’m not sure I can land, and how it feels to unexpectedly crash.
I know what it feels like to be physically strained through strength conditioning classes. You can draw on these experiences and add a sense of realism to the things you’ve never gone through.
Make room for inspiration
Life provides inspiration in countless beautiful ways, from nervousness to love to pride and beyond. How can you write about those things if you haven’t lived them? Find the activities that speak to you, get out there and do cool shit, focus on the experience, and later distill it into words.
I hope you found this piece helpful. The topic of motivation has been on my mind for a while now, and I have more to say on the topic. If you want more, or if you have motivational strategies of your own, please let me know in the comments. And if you found this piece interesting, helpful, or just a little entertaining, please share on your favorite social network. Until next time.