Before we dive into the results of my PNWA novel contest entry, I’ve got a bit of an announcement. I’m making video content now! That’s one more way for you to get to know me. I may not be great at it yet, but I’m learning as I go. More videos to come.
So, the contest.
About five or six months ago I submitted my manuscript for Grim Curioto the Pacific Northwest Writers Association novel contest. Recently I received the results of my entry, and unfortunately I didn’t win.
But I feel really great about it anyway. Why?
As part of the contest, I received two detailed critiques from literary agents who were judging the competition. These were rave critiques. In fact, they lead me to believe that I didn’t advance in the competition due to a technical error on my part. I was supposed to submit a synopsis of my novel, but I submitting something closer to a query letter.
In the video above I share a bit more about the process, some of the feedback I received, and talk about why this rejection has actually boosted my confidence. There’s always next year.
Patrick H Willems is a YouTube creator who produces a wide variety of content, but is best known for his videos that discuss movies in interesting and insightful ways, praise films you should give a second chance, or critique the current state of Hollywood.
Here’s his latest video to give you an idea of the kind of content he’s known for.
However, Patrick Willems isn’t just a creavie video essayist. He writes and directs his own short films, has written a horror screenplay, and hosts the We Heart Hartnett podcast.
Without further ado, let’s dive into the interview where Patrick discusses all of these things, and even gives us a little peek into what makes him tick.
Hey Patrick, I’m a long-time fan of yours. It’s been exciting to watch your channel (Patrick (H) Willems) grow from a basic a film essay format to something much more creative and unique. You’ve evolved to incorporate creative devices like the ones featured in the Patrick Explains series and the bookends to the Ethan Hunt and Jurassic Park videos, among many others.
Could you explain to me the process of evolving the channel in this way?
Patrick: The evolution actually goes back way further. From 2011-2016 every video on the channel was a narrative short of some kind. The nonfiction videos and video essays didn’t start until November 2016, but since then they’ve become what I’m best known for (something I have mixed feelings about).
When I made the first video essay, “Why Do Marvel Movies Look Kind of Ugly,” I thought it’d just be a one-off experiment that no one would watch, so I used the classic video essay format, just voiceover over movie clips. Then that video was a big success and people demanded more video essays, so I started making more and just stuck with the same style.
What inspired the change?
Patrick: But after a year of doing them that way, I got really bored with the process. There were a million people using the same style. The videos felt so impersonal. Like, not to shit on the video essays I made last year, but I have zero emotional attachment to any of them.
I consider myself a filmmaker first, and a video essayist second, so I realized what I had to do was blend the essays with the narrative shorts we had been making for years. And since making that shift at the beginning of the year, I’ve enjoyed making the videos so much more.
Is it difficult to keep it fresh?
Patrick: Yeah, they’re more complicated and time-consuming to create, but more fulfilling. That said, I want to create more of a balance between the nonfiction videos and the regular narrative filmmaking. There haven’t been nearly enough shorts this year, and that bugs me.
One thing I really enjoy about this generation of creators is a willingness to bootstrap it until they fulfil their dreams. There are plenty of examples of people who “made it” because they forged their own way. The cast of Always Sunny in Philadelphia wrote and filmed their pilot because no one was giving them jobs. Seth Rogan wrote Superbad because Judd Apatow told him the best way to make it was to create his own material.
Correct me if any of this is wrong, but from what I gather you started your channel with the same kind of intentions. Could you tell me about your state of mind before you launched your channel? Did you launch it with the goal of eventually “making it” as a Hollywood director? Or was the channel a goal in itself?
Patrick: Yeah, this goes way back to when I graduated from college in 2010. I knew I wanted to make movies, but I had no idea how to go about making it into an actual career.
I’d been making movies with my friends from high school and college for years, and already had a big network of collaborators, so I decided to start making weekly short films, put them on YouTube, and hopefully reach enough people that eventually it might lead to other filmmaking work.
This was way more appealing to me than the more traditional route of moving to LA and working PA jobs for years, since at least this way I got to keep making stuff and would be creatively fulfilled.
Now that you’re coming up on 200,000 YouTube subscribers, have your views of your channel or its purpose changed?
Patrick: Definitely. For years I was convinced the channel would never become profitable and was basically just a way to get the attention of places that might hire me for other work. Now it’s my full time job. I still hope to make bigger projects not on YouTube, but in the meantime, I definitely view the channel as a viable career and not just an online portfolio.
You’ve been stepping up production values lately. You seem to have a growing staff too. Has this been completely enabled by your Patreon campaign, or are the sweet YouTube bucks starting to finance your efforts?
Patrick: I wouldn’t really say the staff is growing. We have an unpaid summer intern, and the rest of the cast and crew is the same group of people who have been working on the channel for years. They’re all good friends of mine who lend me so much of their time, most of whom I’ve been working with since high school.
Are you guys working full time on the channel these days?
Patrick: Right now the income from Patreon, YouTube, etc is just enough for me to get by, but my main goal is to get to the point where I can be paying the team and they can devote more of their time to this.
How’s the script coming? What are the biggest hurdles you see in terms of getting it made?
Patrick: I should clarify some things about the screenplay Jake and I have been writing. We’re not actually planning on producing it. This would require a budget of several million dollars. And since I don’t have any non-YouTube directing credits to my name, it’s highly unlikely a studio would trust me to direct it. Our goal is just to sell it once it’s done.
Could you give me the elevator pitch for the movie you’re making?
Patrick: I don’t want to say much about the story, so I’ll just say it’s a teen-centric horror movie.
Sooooooo…… Josh Hartnett? What a weird choice for an actor to explore the career of, but I dig it. When I told my wife about your podcast (We Heart Hartnett), she was like, “Is Josh Hartnett even in movies anymore?” I’m working my way through the episodes and having a fun time with it.
Here are a few rapid-fire We Heart Hartnett questions. Note: links point to We Heart Hartnett episodes.
What is Josh Hartnett’s best movie you’ve seen to date?
Any indication that he’s going to make it onto the podcast?
Patrick: None yet. He’s a hard man to reach.
How did you like Bunraku (next episode I think)?
Patrick:It’s pretty nuts. It doesn’t totally work, but I like what it’s going for, and there’s some great stuff in there.
Why no Dredd video? It’s a totally fantastic movie that failed at the box office. It knows what it is and sticks too it well, taking inspiration form The Raid (also fantastic) with the “fight their way up a multi-level building to the boss” trope which is weirdly compelling for a straight up action flick. Plus apparently there’s a TV show in production, and I’d love to hear what they should and shouldn’t do. Come on Patrick! As a comic book guy, you should be all over this!
Pa trick:I saw Dredd once back when it was in theaters, liked it, didn’t love it, and honestly haven’t thought about it much since then. But people bring it up to me a lot so I should probably revisit it.
Lightning round! Answer as quick as you can, no cheating even though I can’t see you.
Top three directors?
Patrick: Spielberg, Edgar Wright, Soderbergh.
Biggest source of inspiration outside of film?
Patrick: Comic books.
Dream actor you’d like to cast as the lead in your film?
Patrick:The one we’re writing right now? That’s tough, since the character is a teenage girl. I haven’t really thought about it.
Anime, yes or no?
Patrick:Yes, mostly just for Ghibli.
Favorite Comic Book?
Patrick: Scott Pilgrim
Best YouTube channel other than your own?
Patrick: It isn’t really active anymore, but Waverly Films. For years they made these brilliant, inventive hilarious short films every week. I became obsessed with their videos in college and they’ve been one of my biggest inspirations since then. And those guys have gone on to do huge things, like writing and directing Spider-Man: Homecoming.
Any fan encounters yet?
Patrick: Lots, and everyone has been super nice and cool.
Can I cameo in your movie?
Patrick: I won’t be directing, so it’s not up to me!
So there you have it. It was great having a chance to talk Patrick Willems. Be sure to check out his YouTube channel and podcast. For the many hollywood producers who read this blog, give this man a directing job.
Sounds pretty good right? It’s a platform for people like you to support the artists you love by pledging a monthly payment them. This enables artists to have a predictable income, and helps funds their projects. In return, you get cool exclusive stuff and peeks behind the scenes.
Why Patreon is important to creators
In Real Artists Don’t Starve, Jeff Goins share’s many arguments for why an artist needs a patron, or several. He explains that a patron can take many forms.
If you are going to create work that matters, you are going to need an advocate—a person who sees your potential and believes in your work. This isn’t just about money. You need someone to give you a chance, maybe even connect you to the right people. The publisher who pays an author’s book advance is a patron. The venture capitalist who funds a start-up in Silicon Valley is one too. But so is the church who gives a minister a salary or the donors who support nonprofit organizations around the world. Patrons do not just make the arts possible; they make the world we inhabit—and so often take for granted—possible.
Real Artists Don’t Starve by Jeff Goins
Back in the day, a patron of the arts would literally commission an artist full time in order to support them. But as times changed, patrons became rarer.
These days, artists need patrons to survive. Published authors are making less and less money, even while publishing is doing better than ever. If you want to make it in the arts, it’s not enough just to have a book that sells. You need someone, or a group of someones, who are willing to champion your work, and even give you a little cash to support it.
In the New Renaissance, patrons are not some elite class of influencers. They are all around us.
Real Artists Don’t Starve by Jeff Goins
Why join Patreon now?
I’ve had a plan for a long time to eventually join Patreon, but I was waiting for the right timing. I wanted to re-edit Discovering Aberration and wanted to release The Gin Thief: Episode Two, and then I thought the timing would be perfect.
But what I’ve come to learn lately is that if you want to make it as an artists, the timing is now! If you’re always waiting for the timing to be perfect, then you’re going to miss out on all kinds of opportunities.
When the Starving Artist waits to be noticed, the Thriving Artist finds a patron and shows that her work is worth investing in.
What you get by becoming my Patron
If you decide you want to support me by pledging $1 or more per month, you get several fun things in return. First, $1 get’s you all of my ebooks.
Right now you have access to Discovering Aberration and The Gin Thief: Episode one plus all future releases, and early access to upcoming releases like Grim Curio (the first 55 pages are available on Patreon now). In the coming days I’m adding short stories and some unpublished manuscripts.
Beyond this, I’m trying to cultivate a fun fan experience. First of which is our Christopher Nolan movie club where we watch and discuss every movie Christopher Nolan directed. We’re starting with Following and will end with Dunkirk.
There will be more fun stuff too. My patrons will have the chance to really get to know me, see exclusive behind the scenes material, and more. Should be a good time.